Dunedin Soundings Place and Performance By Dan Bendrups & Graeme Downes (Edited by). Publisher: Otago University Press, New Zealand, 2011, FIRST EDITION, VERY SCARCE.
Dunedin Soundings Place and Performance By Dan Bendrups & Graeme Downes (Edited by). Publisher: Otago University Press, New Zealand, 2011, FIRST EDITION, VERY SCARCE.
Dunedin Soundings Place and Performance By Dan Bendrups & Graeme Downes (Edited by). Publisher: Otago University Press, New Zealand, 2011, FIRST EDITION, VERY SCARCE.
Dunedin Soundings Place and Performance By Dan Bendrups & Graeme Downes (Edited by). Publisher: Otago University Press, New Zealand, 2011, FIRST EDITION, VERY SCARCE.
Dunedin Soundings Place and Performance By Dan Bendrups & Graeme Downes (Edited by). Publisher: Otago University Press, New Zealand, 2011, FIRST EDITION, VERY SCARCE.
Dunedin Soundings Place and Performance By Dan Bendrups & Graeme Downes (Edited by). Publisher: Otago University Press, New Zealand, 2011, FIRST EDITION, VERY SCARCE.
Dunedin Soundings Place and Performance By Dan Bendrups & Graeme Downes (Edited by). Publisher: Otago University Press, New Zealand, 2011, FIRST EDITION, VERY SCARCE.

Dunedin Soundings Place and Performance By Dan Bendrups & Graeme Downes (Edited by). Publisher: Otago University Press, New Zealand, 2011, FIRST EDITION, VERY SCARCE.

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Dunedin Soundings Place and Performance By Dan Bendrups & Graeme Downes (Edited by).

Publisher: Otago University Press, New Zealand, 2011, FIRST EDITION, VERY SCARCE. Very good softback, no inscriptions, light edge wear. 171 pages.

The 'Dunedin Sound' of the 1980s is a phenomenon known throughout the world. But what does Dunedin music-making sound like in the 21st century? Dunedin Soundings features writing from musicians, composers and scholar/practitioners. They discuss genres as diverse as brass band, opera, classical, Indonesian gamelan, jazz, rock and more, the intricacies of the composition and lyric writing processes, digital remixing, and scoring for film and TV. Together, they reveal the ways in which these supposedly separate music fields have the potential to inform and stimulate each other. The theoretical idea behind the book is that performance and composition practices constitute a process of research. The writers are practitioners who are recognised nationally and internationally for their contributions to New Zealand music across genres, including composer Anthony Ritchie, the Verlaines' Graeme Downes, Emmy-award nominee Trevor Coleman, and Refuel founder Scott Muir. This book is for everyone with a serious passion and wide-ranging intellectual curiosity for music, and anyone wanting an insider's glimpse into music-making in Aotearoa New Zealand.

Dunedin Soundings Place and Performance By Dan Bendrups & Graeme Downes (Edited by). Publisher: Otago University Press, New Zealand, 2011, FIRST EDITION, VERY SCARCE.
Dunedin Soundings Place and Performance By Dan Bendrups & Graeme Downes (Edited by). Publisher: Otago University Press, New Zealand, 2011, FIRST EDITION, VERY SCARCE.
Dunedin Soundings Place and Performance By Dan Bendrups & Graeme Downes (Edited by). Publisher: Otago University Press, New Zealand, 2011, FIRST EDITION, VERY SCARCE.
Dunedin Soundings Place and Performance By Dan Bendrups & Graeme Downes (Edited by). Publisher: Otago University Press, New Zealand, 2011, FIRST EDITION, VERY SCARCE.
Dunedin Soundings Place and Performance By Dan Bendrups & Graeme Downes (Edited by). Publisher: Otago University Press, New Zealand, 2011, FIRST EDITION, VERY SCARCE.